Rudyard Kipling

Rudyard Kipling

1865–1936 · lived 70 years GB GB

Rudyard Kipling was a prolific English writer and poet, best known for his works on British India and his children's stories. He championed the idea of the 'White Man's Burden' and his writings often reflected imperialist sentiments. Despite controversy surrounding his political views, his imaginative storytelling and mastery of language continue to be recognized, with works like 'The Jungle Book' and 'Kim' remaining popular.

n. 1865-12-30, Bombaim · m. 1936-01-18, Londres

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Columns

Columns
(Mobile Columns of the Boer War)
Out o' the wilderness, dusty an' dry
(Time, an' 'igh time to be trekkin' again!)
Oo is it 'eads to the Detail Supply?
A sectioin, a pompom, an' six 'undred men.
'Ere comes the clerk with 'is lantern an' keys
(Time, an 'igh time to be trekkin 'again!)
" Surplus of everything--draw what you please
"For the section, the pompom, an' six 'unrdred men."
"What are our orders an' where do we lay? .
(Time, an 'igh time to be trekkin' again!)
"You came after dark--you will leave before day,
"You section, you pompom, you six' undred men!"
Down the tin street, 'alf awake an 'unfed,
'Ark to 'em blessin' the Gen'ral in bed!
Now by the church an' the outspan they wind--
Over the ridge an' it's all lef' be'ind
For the section, etc.
Soon they will camp as the dawn's growin' grey,
Roll up for coffee an' sleep while they may--
The section , etc.
Read their 'ome letters, their papers an' such,
For they'll move after dark to astonish the Dutch
With a section, etc.
'Untin' for shade as the long hours pass--
Blankets on rifles or burrows in grass,
Lies the section, etc.
Dossin' or beatin' a shirt in the sun,
Watching chameleons or cleanin' a gun,
Waits the section, etc.
With nothin' but stillness as far as you please,
An' the silly mirage stringin' islands an' seas
Round the section, etc.
So they strips off their hide an' they grills in their bones,
Till the shadows crawl out from beneath the pore stones
Toward the section, etc.
An' the Mauser-bird stops an' the jacals begin
A the 'orse-guard comes up and the Gunners 'ook in
As a 'int the pompom an' six 'undred men . . . .


Off through the dark with the stars to rely on---
(Alpha Centauri an' somethin' Orion)
Moves the section, etc.
Same bloomin' 'ole which the ant-bear 'as broke,
Same bloomin' stumble an' same bloomin' joke
Down the section, etc.
Same "which is right?" where the cart-tracks divide,
Same "give it up" from the same clever guide
To the section, etc.
Same tumble-down on the same 'idden farm,
Same white-eyed Kaffir 'oo gives the alarm--
Of the section, etc.
Same shootin' wild at the end o' the night,
Same flyin'-tackle an' same messy fight,
By the section, etc.
Same ugly 'iccup an' same 'orrid squeal,
When it's too dark to see an' it's too late to feel
In the section, etc.
(Same batch of prisoners, 'airy an' still,
Watchin' their comrades bolt over the 'ill
From the section, etc.)
Same chilly glare in the eye of the sun
As 'e gets up displeasured to see what was done
By the section, etc.
Same splash o' pink on the stoep or the kraal,
An' the same quiet face which 'as finished with all
In the section, the pompom, an' six 'undred men.
Out o' the wilderness, dusty an' dry
(Time, an' 'igh time to be trekkin' again!)
' Oo is it 'eads to the Detail Supply ?
A section, a pompom, an 'six' 'undred men.
Read full poem
Bio

Identification and basic context

Joseph Rudyard Kipling was an English writer and poet. He is widely known by his middle name, Rudyard. Born in Bombay, British India, he spent much of his formative years there and later in England. His father was an artist and principal of an art school in India. Kipling was a British national and wrote in English.

Childhood and education

Kipling's early childhood in India deeply shaped his worldview and literary output. After returning to England for his education, he attended the United Services College in Westward Ho!, Devon, which provided the setting for his novel 'Stalky & Co.'. His time there was marked by a harsh but formative experience. He received a practical education rather than a formal university degree, returning to India to begin his career in journalism.

Literary trajectory

Kipling began his literary career as a journalist in Lahore, India, in the 1880s. His early stories, often published in periodicals, showcased his keen observation of Indian life and his developing narrative skill. He gained significant fame with collections like 'Plain Tales from the Hills' and 'Soldiers Three'. His move to London in the 1890s further cemented his international reputation. He also wrote novels, essays, and songs, demonstrating a remarkable versatility.

Works, style, and literary characteristics

Kipling's major works include 'The Jungle Book' (1894), 'Kim' (1901), 'The Just So Stories' (1902), and numerous poems like 'If—' and 'The White Man's Burden'. His dominant themes often revolve around India, the British Empire, the lives of soldiers, the relationship between humans and animals, and the complexities of loyalty and duty. His style is characterized by vivid imagery, a strong narrative drive, and a colloquial yet precise use of language. He mastered various forms, from short stories and novels to ballads and epic poems. His poetic voice is often didactic, authoritative, and nationalistic. He employed powerful metaphors and rhythms, making his works highly memorable.

Cultural and historical context

Kipling was a prominent voice during the height of the British Empire, and his work is inextricably linked to the imperialist project. He lived through periods of expansion, conflict, and colonial administration, which heavily influenced his perspective. He was part of a generation of writers grappling with themes of empire, race, and cultural encounter. His strong espousal of the 'White Man's Burden' placed him at the center of contemporary debates about colonialism.

Personal life

Kipling's personal life was marked by his experiences in India and his strong sense of duty and patriotism. His marriage to Caroline Starr Balestier provided a stable partnership. He experienced personal tragedies, including the early death of his daughter Josephine, which deeply affected him and is thought to have influenced some of his later works, such as 'Kim'. He was a complex figure, deeply devoted to his family and his work.

Recognition and reception

Kipling achieved immense fame and recognition during his lifetime. He was awarded the Nobel Prize in Literature in 1907, becoming the first English-language recipient. His works were widely translated and celebrated internationally. However, his strong imperialist views also drew criticism, and his reception has been complex, with ongoing discussions about the political implications of his writings.

Influences and legacy

Kipling was influenced by his experiences in India, classical literature, and the journalistic tradition. His legacy is significant, though debated. He is credited with profoundly shaping the adventure story genre and children's literature. His influence can be seen in subsequent generations of writers who explored themes of empire, adventure, and the wilderness. His poems, particularly 'If—', remain widely quoted. His work continues to be adapted into films and other media.

Interpretation and critical analysis

Kipling's work is often analyzed through the lens of colonialism, examining his portrayal of indigenous peoples and his support for British imperial rule. Critical interpretations highlight his narrative skill and imaginative power while also scrutinizing his problematic political stances. Debates continue regarding the extent to which his stories can be separated from their imperialist context.

Curiosities and lesser-known aspects

Despite his fame, Kipling was notoriously private and sometimes irascible. He had a deep fascination with machinery and technology, which sometimes found its way into his stories. He was also known for his meticulous attention to detail in his writing. A lesser-known aspect is his significant contribution to the development of the short story form.

Death and memory

Rudyard Kipling died in London. His memory is preserved through his vast literary output, which continues to be read and studied, albeit often with critical commentary on his political views. His home, Batemans, is now a National Trust property and museum, offering insights into his life and work.

Poems

275

Public Waste

Public Waste
Walpole talks of "a man and his price."
List to a ditty queer --
The sale of a Deputy-Acting-Vice-
Resident-Engineer,
Bought like a bullock, hoof and hide,
By the Little Tin Gods on the Mountain Side.

By the Laws of the Family Circle 'tis written in letters of brass
That only a Colonel from Chatham can manage the Railways of State,
Because of the gold on his breeks, and the subjects wherein he must pass;
Because in all matters that deal not with Railways his knowledge is great.
Now Exeter Battleby Tring had laboured from boyhood to eld
On the Lines of the East and the West, and eke of the North and South;
Many Lines had he built and surveyed -- important the posts which he held;
And the Lords of the Iron Horse were dumb when he opened his mouth.
Black as the raven his garb, and his heresies jettier still --
Hinting that Railways required lifetimes of study and knowledge --
Never clanked sword by his side -- Vauban he knew not nor drill --
Nor was his name on the list of the men who had passed through the "College."
Wherefore the Little Tin Gods harried their little tin souls,
Seeing he came not from Chatham, jingled no spurs at his heels,
Knowing that, nevertheless, was he first on the Government rolls
For the billet of "Railway Instructor to Little Tin Gods on Wheels."
Letters not seldom they wrote him, "having the honour to state,"
It would be better for all men if he were laid on the shelf.
Much would accrue to his bank-book, an he consented to wait
Until the Little Tin Gods built him a berth for himself,
"Special, well paid, and exempt from the Law of the Fifty and Five,
Even to Ninety and Nine" -- these were the terms of the pact:
Thus did the Little Tin Gods (lon may Their Highnesses thrive!)
Silence his mouth with rupees, keeping their Circle intact;
Appointing a Colonel from Chatham who managed the Bhamo State Line
(The wich was on mile and one furlong -- a guaranteed twenty-inch gauge),
So Exeter Battleby Tring consented his claims to resign,
And died, on four thousand a month, in the ninetieth year of his age!
431

Poseidon's Law

Poseidon's Law
When the robust and Brass-bound Man commissioned first for sea
His fragile raft, Poseidon laughed, and "Mariner," said he,
"Behold, a Law immutable I lay on thee and thine,
That never shall ye act or tell a falsehood at my shrine.
"Let Zeus adjudge your landward kin whose votive meal and sale
At easy-cheated altars win oblivion for the fault,
But you the unhoodwinked wave shall test--the immediate gulf condemn--
Except ye owe the Fates a jest, be slow to jest with them.
Ye shall not clear by Greekly speech, nor cozen from your path
The twinkling shoal, the leeward beach, or Hadria's white-lipped wrath;
Nor tempt with painted cloth for wood my fraud-avenging hosts;
Nor make at all, or all make good, your bulwarks and your boasts.
Now and henceforward serve unshod, through wet and wakeful shifts,
A present and oppressive God, but take, to aid, my gifts--
The wide and windward-opening eye, the large and lavish hand,
The soul that cannot tell a lie--except upon the land!"
In dromond and in catafract--wet, wakeful, windward-eyed--
He kept Poseidon's Law intact (his ship and freight beside),
But, once discharged the dromond's hold, the bireme beached once more,
Splendaciously mendacious rolled the Brass-bound Man ashore....
The thranite now and thalamite are pressures low and high,
And where three hundred blades bit white the twin-propellers ply.
The God that hailed, the keel that sailed are changed beyond recall,
But the robust and Brass-bound Man he is not changed at all!
From Punt returned, from Phormio's Fleet, from Javan and Gadire,
He strongly occupies the seat about the tavern fire,
And, moist with much Falernian or smoked Massilian juice,
Revenges there the Brass-bound Man his long-enforced truce!
467

Prelude

Prelude
I have eaten your bread and salt.
I have drunk your water and wine.
In deaths ye died I have watched beside,
And the lives ye led were mine.
Was there aught that I did not share
In vigil or toil or ease, --
One joy or woe that I did not know,
Dear hearts across the seas?
I have written the tale of our life
For a sheltered people's mirth,
In jesting guise -- but ye are wise,
And ye know what the jest is worth.
513

Philadelphia

Philadelphia
If you're off to Philadelphia in the morning,
You mustn't take my stories for a guide.
There's little left, indeed, of the city you will read of,
And all the folk I write about have died.
Now few will understand if you mention Talleyrand,
Or remember what his cunning and his skill did;
And the cabmen at the wharf do not know Count Zinzendorf,
Nor the Church in Philadelphia he builded.
It is gone, gone, gone with lost Atlantis,
(Never say I didn't give you warning).
In Seventeen Ninety-three 'twas there for all to see,
But it's not in Philadelphia this morning.
If you're off to Philadelphia in the morning,
You mustn't go by anything I've said.
Bob Bicknell's Southern Stages have been laid aside for ages,
But the Limited will take you there instead.
Toby Hirte can't be seen at One Hundred and Eighteen
North Second Street--no matter when you call;
And I fear you'll search in vain for the wash-house down the lane
Where Pharaoh played the fiddle at the ball.
It is gone, gone, gone with Thebes the Golden,
(Never say I didn't give you warning).
In Seventeen Ninety-four 'twas a famous dancing floor--
But it's not in Philadelphia this morning.
If you're off to Philadelphia in the morning,
You must telegraph for rooms at some Hotel.
You needn't try your luck at Epply's or "The Buck,"
Though the Father of his Country liked them well.
It is not the slightest use to inquire for Adam Goos,
Or to ask where Pastor Meder has removed--so
You must treat as out of date the story I relate
Of the Church in Philadelphia he loved so.
He is gone, gone, gone with Martin Luther
(Never say I didn't give you warning)
In Seventeen Ninety-five he was, (rest his soul!) alive.
But he's not in Philadelphia this morning.
If you're off to Philadelphia this morning,
And wish to prove the truth of what I say,
I pledge my word you'll find the pleasant land behind
Unaltered since Red Jacket rode that way.
Still the pine-woods scent the noon; still the catbird sings his
tune;
Still autumn sets the maple-forest blazing;
Still the grape-vine through the dusk flings her soul-compelling
musk;
Still the fire-flies in the corn make night amazing!


They are there, there, there with Earth immortal
( Citizens, I give you friendly warning )
The thins that truly last when men and times have passed,
They are all in Pennsylvania this morning!
499

Pink Dominoes

Pink Dominoes
"They are fools who kiss and tell" --
Wisely has the poet sung.
Man may hold all sorts of posts
If he'll only hold his tongue.

Jenny and Me were engaged, you see,
On the eve of the Fancy Ball;
So a kiss or two was nothing to you
Or any one else at all.
Menny would go in a domino --
Pretty and pink but warm;
While I attended, clad in a splendid
Austrian uniform.
Now we had arranged, through notes exchanged
Early that afternoon,
At Number Four to waltz no more,
But to sit in the dusk and spoon.
I wish you to see that Jenny and Me
Had barely exchanged our troth;
So a kiss or two was strictly due
By, from, and between us both.
When Three was over, an eager lover,
I fled to the gloom outside;
And a Domino came out also
Whom I took for my future bride.
That is to say, in a casual way,
I slipped my arm around her;
With a kiss or two (which is nothing to you),
And ready to kiss I found her.
She turned her head and the name she said
Was certainly not my own;
But ere I could speak, with a smothered shriek
She fled and left me alone.
Then Jenny came, and I saw with shame
She'd doffed her domino;
And I had embraced an alien waist --
But I did not tell her so.
Next morn I knew that there were two
Dominoes pink, and one
Had cloaked the spouse of Sir Julian Vouse,
Our big Political gun.
Sir J. was old, and her hair was gold,


And her eye was a blue cerulean;
And the name she said when she turned her head
Was not in the least like "Julian."
499

Parade-Song of the Camp-Animals

Parade-Song of the Camp-Animals
Elephants of the Gun-Teams
We lent to Alexander the strength of Hercules,
The wisdom of our foreheads, the cunning of our knees.
We bowed our necks to service--they ne'er were loosed again,--
Make way there, way for the ten-foot teams
Of the Forty-Pounder train!
Gun-Bullocks
Those heroes in their harnesses avoid a cannon-ball,
And what they know of powder upsets them one and all;
Then we come into action and tug the guns again,--
Make way there, way for the twenty yoke
Of the Forty-Pounder train!
Cavalry Horses
By the brand on my withers, the finest of tunes
Is played by the Lancers, Hussars, and Dragoons,
And it's sweeter than "Stables" or "Water" to me,
The Cavalry Canter of "Bonnie Dundee!"
Then feed us and break us and handle and groom,
And give us good riders and plenty of room,
And launch us in column of squadron and see
The Way of the War-horse to "Bonnie Dundee!"
Screw-Gun Mules
As me and my companions were scrambling up a hill,
The path was lost in rolling stones, but we went forward still;
For we can wriggle and climb, my lads, an turn up everywhere
And it's our delight on a mountain height, with a leg or two to spare!
Good luck to every sergeant, then, that lets us pick our road:
Bad luck to all the driver-men that cannot pack a load!
For we can wriggle and climb, my lads, and turn up everywhere,
And it's our delight on a mountain height, with a leg or two to spare!
Commissariat Camels
We haven't a camelty tune of our own
To help us trollop along,
But every neck is a hair-trombone
(Rtt-ta-ta-ta! is a hair-trombone! )
And this is our marching-song:
Can't! Don't! Shan't! Won't!


Pass it along the line!
Somebody's pack has slid from his back,
'Wish it were only mine!
Somebody's load has tipped off in the road--
Cheer for a halt and a row!
Urrr! Yarrh! Grr! Arrh!
Somebody's catching it now!
All The Beasts Together
Children of the Camp are we,
Serving each in his degree;
Children of the yoke and goad,
Pack and harness, pad and load.
See our line across the plain,
Like a heel-rope bent again,
Reaching, writhing, rolling far,
Sweeping all away to war!
While the men that walk beside,
Dusty, silent, heavy-eyed,
Cannot tell why we or they
March and suffer day by day.
Children of the Camp are we,
Serving each in his degree;
Children of the yoke and goad,
Pack and harness, pad and load!
440

Outsong in the Jungle

Outsong in the Jungle
Baloo
For the sake of him who showed
One wise Frog the Jungle-Road,
Keep the Law the Man-Pack make
For thy blind old Baloo's sake!
Clean or tainted, hot or stale,
Hold it as it were the Trail,
Through the day and through the night,
Questing neither left nor right.
For the sake of him who loves
Thee beyond all else that moves,
When thy Pack would make thee pain,
Say: " Tabaqui sings again."
When thy Pack would work thee ill,
Say: "Shere Khan is yet to kill."
When the knife is drawn to slay,
Keep the Law and go thy way.
(Root and honey, palm and spathe,
Guard a cub from harm and scathe!)
Wood and Water, Wind and Tree,
Jungle-Favour go with thee!
Kaa
Anger is the egg of Fear--
Only lidless eyes see clear.
Cobra-poison none may leech--
Even so with Cobra-speech.
Open talk shall call to thee
Strength, whose mate is Courtesy.
Send no lunge beyond thy length.
Lend no rotten bough thy strength.
Gauge thy gape with buck or goat,
Lest thine eye should choke thy throat.
After gorging, wouldst thou sleep ?
Look thy den be hid and deep,
Lest a wrong, by thee forgot,
Draw thy killer to the spot.
East and West and North and South,
Wash thy hide and close thy mouth.
(Pit and rift and blue pool-brim,
Middle-Jungle follow him!)
Wood and Water, Wind and Tree,
Jungle-Favour go with thee!
Bagheera
In the cage my life began;
Well I know the worth of Man.


By the Broken Lock that freed--
Man-cub, ware the Man-cub's breed!
Scenting-dew or starlight pale,
Choose no tangled tree-cat trail.
Pack or council, hunt or den,
Cry no truce with Jackal-Men.
Feed them silence when they say:
"Come with us an easy way."
Feed them silence when they seek
Help of thine to hurt the weak.
Make no bandar's boast of skill;
Hold thy peace above the kill.
Let nor call nor song nor sign
Turn thee from thy hunting-line.
(Morning mist or twilight clear,
Serve him, Wardens of the Deer!)
Wood and Water, Wind and Tree,
Jungle-Favour go with thee!
The Three
On the trail that thou must tread
To the threshold of our dread,
Where the Flower blossoms red;
Through the nights when thou shalt lie
Prisoned from our Mother-sky,
Hearing us, thy loves, go by;
In the dawns when thou. shalt wake
To the toil thou canst not break,
Heartsick for the Jungle's sake;
Wood and Water, Wind air Tree,
Wisdom, Strength, and Courtesy,
Jungle-Favour go with thee!
437

One Viceroy Resigns

One Viceroy Resigns
(Lord Dufferin to Lord Lansdowne)
So here's your Empire. No more wine, then?
Good.
We'll clear the Aides and khitmatgars away.
(You'll know that fat old fellow with the knife --
He keeps the Name Book, talks in English too,
And almost thinks himself the Government.)
O Youth, Youth, Youth! Forgive me, you're so young.
Forty from sixty -- twenty years of work
And power to back the working. Ay def mi!
You want to know, you want to see, to touch,
And, by your lights, to act. It's natural.
I wonder can I help you. Let me try.
You saw -- what did you see from Bombay east?
Enough to frighten any one but me?
Neat that! It frightened Me in Eighty-Four!
You shouldn't take a man from Canada
And bid him smoke in powder-magazines;
Nor with a Reputation such as -- Bah!
That ghost has haunted me for twenty years,
My Reputation now full blown -- Your fault --
Yours, with your stories of the strife at Home,
Who's up, who's down, who leads and who is led --
One reads so much, one hears so little here.
Well, now's your turn of exile. I go back
To Rome and leisure. All roads lead to Rome,
Or books -- the refuge of the destitute.
When you ... that brings me back to India. See!
Start clear. I couldn't. Egypt served my turn.
You'll never plumb the Oriental mind,
And if you did it isn't worth the toil.
Think of a sleek French priest in Canada;
Divide by twenty half-breeds. Multiply
By twice the Sphinx's silence. There's your East,
And you're as wise as ever. So am I.
Accept on trust and work in darkness, strike
At venture, stumble forward, make your mark,
(It's chalk on granite), then thank God no flame
Leaps from the rock to shrivel mark and man.
I'm clear -- my mark is made. Three months of drought
Had ruined much. It rained and washed away
The specks that might have gathered on my Name.
I took a country twice the size of France,
And shuttered up one doorway in the North.
I stand by those. You'll find that both will pay,
I pledged my Name on both -- they're yours to-night.
Hold to them -- they hold fame enough for two.
I'm old, but I shall live till Burma pays.
Men there -- not German traders -- Crsthw-te knows --


You'll find it in my papers. For the North
Guns always -- quietly -- but always guns.
You've seen your Council? Yes, they'll try to rule,
And prize their Reputations. Have you met
A grim lay-reader with a taste for coins,
And faith in Sin most men withhold from God?
He's gone to England. R-p-n knew his grip
And kicked. A Council always has its H-pes.
They look for nothing from the West but Death
Or Bath or Bournemouth. Here's their ground.
They fight
Until the middle classes take them back,
One of ten millions plus a C.S.I.
Or drop in harness. Legion of the Lost?
Not altogether -- earnest, narrow men,
But chiefly earnest, and they'll do your work,
And end by writing letters to the Times,
(Shall I write letters, answering H-nt-r -- fawn
With R-p-n on the Yorkshire grocers? Ugh!)
They have their Reputations. Look to one --
I work with him -- the smallest of them all,
White-haired, red-faced, who sat the plunging horse
Out in the garden. He's your right-hand man,
And dreams of tilting W-ls-y from the throne,
But while he dreams gives work we cannot buy;
He has his Reputation -- wants the Lords
By way of Frontier Roads. Meantime, I think,
He values very much the hand that falls
Upon his shoulder at the Council table --
Hates cats and knows his business; which is yours.
Your business! twice a hundered million souls.
Your business! I could tell you what I did
Some nights of Eighty-Five, at Simla, worth
A Kingdom's ransom. When a big ship drives,
God knows to what new reef the man at the whee!
Prays with the passengers. They lose their lives,
Or rescued go their way; but he's no man
To take his trick at the wheel again -- that's worse
Than drowning. Well, a galled Mashobra mule
(You'll see Mashobra) passed me on the Mall,
And I was -- some fool's wife and ducked and bowed
To show the others I would stop and speak.
Then the mule fell -- three galls, a hund-breadth each,
Behind the withers. Mrs. Whatsisname
Leers at the mule and me by turns, thweet thoul!
"How could they make him carry such a load!"
I saw -- it isn't often I dream dreams --
More than the mule that minute -- smoke and flame
From Simla to the haze below. That's weak.
You're younger. You'll dream dreams before you've done.
You've youth, that's one -- good workmen -- that means two
Fair chances in your favor. Fate's the third.


I know what I did. Do you ask me, "Preach"?
I answer by my past or else go back
To platitudes of rule -- or take you thus
In confidence and say: "You know the trick:
You've governed Canada. You know. You know!"
And all the while commend you to Fate's hand
(Here at the top on loses sight o' God),
Commend you, then, to something more than you --
The Other People's blunders and
. . . that's all.
I'd agonize to serve you if I could.
It's incommunicable, like the cast
That drops the tackle with the gut adry.
Too much -- too little -- there's your salmon lost!
And so I tell you nothing --with you luck,
And wonder -- how I wonder! -- for your sake
And triumph for my own. You're young, you're young,
You hold to half a hundred Shibboleths.
I'm old. I followed Power to the last,
Gave her my best, and Power followed Me.
It's worth it -- on my sould I'm speaking plain,
Here by the claret glasses! -- worth it all.
I gave -- no matter what I gave -- I win.
I know I win. Mine's work, good work that lives!
A country twice the size of France -- the North
Safeguarded. That's my record: sink the rest
And better if you can. The Rains may serve,
Rupees may rise -- three pence will give you Fame --
It's rash to hope for sixpence -- If they rise
Get guns, more guns, and lift the salt-tax.
Oh!
I told you what the Congress meant or thought?
I'll answer nothing. Half a year will prove
The full extent of time and thought you'll spare
To Congress. Ask a Lady Doctor once
How little Begums see the light -- deduce
Thence how the True Reformer's child is born.
It's interesting, curious . . . and vile.
I told the Turk he was a gentlman.
I told the Russian that his Tartar veins
Bled pure Parisian ichor; and he purred.
The Congress doesn't purr. I think it swears.
You're young -- you'll swear to ere you've reached the end.
The End! God help you, if there be a God.
(There must be one to startle Gl-dst-ne's soul
In that new land where all the wires are cut.
And Cr-ss snores anthems on the asphodel.)
God help you! And I'd help you if I could,
But that's beyond me. Yes, your speech was crude.
Sound claret after olives -- yours and mine;
But Medoc slips into vin ordinaire.
(I'll drink my first at Genoa to your health.)


Raise it to Hock. You'll never catch my style.
And, after all, the middle-classes grip
The middle-class -- for Brompton talk Earl's Court.
Perhaps you're right. I'll see you in the Times --
A quarter-column of eye-searing print,
A leader once a quarter -- then a war;
The Strand abellow through the fog: "Defeat!"
"'Orrible slaughter!" While you lie awake
And wonder. Oh, you'll wonder ere you're free!
I wonder now. The four years slide away
So fast, so fast, and leave me here alone.
R-y, C-lv-n, L-l, R-b-rts, B-ck, the rest,
Princes and Powers of Darkness troops and trains,
(I cannot sleep in trains), land piled on land,
Whitewash and weariness, red rockets, dust,
White snows that mocked me, palaces -- with draughts,
And W-stl-nd with the drafts he couldn't pay,
Poor W-ls-n reading his obituary.
Before he died, and H-pe, the man with bones,
And A-tch-s-n a dripping mackintosh
At Council in the Rains, his grating "Sirrr"
Half drowned by H-nt-r's silky: "Bat my lahnd."
Hunterian always: M-rsh-l spinning plates
Or standing on his head; the Rent Bill's roar,
A hundred thousand speeches, must red cloth,
And Smiths thrice happy if I call them Jones,
(I can't remember half their names) or reined
My pony on the Mall to greet their wives.
More trains, more troops, more dust, and then all's done.
Four years, and I forget. If I forget
How will they bear me in their minds? The North
Safeguarded -- nearly (R-b-rts knows the rest),
A country twice the size of France annexed.
That stays at least. The rest may pass -- may pass --
Your heritage -- and I can teach you nought.
"High trust," "vast honor," "interests twice as vast,"
"Due reverence to your Council" -- keep to those.
I envy you the twenty years you've gained,
But not the five to follow. What's that? One?
Two! -- Surely not so late. Good-night. Don't dream.
543

Our Fathers Also

Our Fathers Also
Thrones, Powers, Dominions, Peoples, Kings,
Are changing 'neath our hand.
Our fathers also see these things
But they do not understand.
By--they are by with mirth and tears,
Wit or the works of Desire-
Cushioned about on the kindly years
Between the wall and the fire.
The grapes are pressed, the corn is shocked--
Standeth no more to glean;
For the Gates of Love and Learning locked
When they went out between.
All lore our Lady Venus bares,
Signalled it was or told
By the dear lips long given to theirs
And longer to the mould.
All Profit, all Device, all Truth,
Written it was or said
By the mighty men of their mighty youth,
Which is mighty being dead.
The film that floats before their eyes
The Temple's Veil they call;
And the dust that on the Shewbread lies
Is holy over all.
Warn them of seas that slip our yoke,
Of slow-conspiring stars-
The ancient Front of Things unbroke
But heavy with new wars?
By--they are by with mirth and tears,
Wit or the waste of Desire-
Cushioned about on the kindly years
Between the wall and the fire!
470

Old Fighting-Men

Old Fighting-Men
All the world over, nursing their scars,
Sit the old fighting-men broke in the wars--
Sit the old fighting-men, surly and grim
Mocking the lilt of the conquerors' hymn.
Dust of the battle o'erwhelmed them and hid.
Fame never found them for aught that they did.
Wounded and spent to the lazar they drew,
Lining the road where the Legions roll through.
Sons of the Laurel who press to your meed,
(Worthy God's pity most--you who succeed!)
Ere you go triumphing, crowned, to the stars,
Pity poor fighting-men, broke in the wars!
402

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