Rudyard Kipling

Rudyard Kipling

1865–1936 · lived 70 years GB GB

Rudyard Kipling was a prolific English writer and poet, best known for his works on British India and his children's stories. He championed the idea of the 'White Man's Burden' and his writings often reflected imperialist sentiments. Despite controversy surrounding his political views, his imaginative storytelling and mastery of language continue to be recognized, with works like 'The Jungle Book' and 'Kim' remaining popular.

n. 1865-12-30, Bombaim · m. 1936-01-18, Londres

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Columns

Columns
(Mobile Columns of the Boer War)
Out o' the wilderness, dusty an' dry
(Time, an' 'igh time to be trekkin' again!)
Oo is it 'eads to the Detail Supply?
A sectioin, a pompom, an' six 'undred men.
'Ere comes the clerk with 'is lantern an' keys
(Time, an 'igh time to be trekkin 'again!)
" Surplus of everything--draw what you please
"For the section, the pompom, an' six 'unrdred men."
"What are our orders an' where do we lay? .
(Time, an 'igh time to be trekkin' again!)
"You came after dark--you will leave before day,
"You section, you pompom, you six' undred men!"
Down the tin street, 'alf awake an 'unfed,
'Ark to 'em blessin' the Gen'ral in bed!
Now by the church an' the outspan they wind--
Over the ridge an' it's all lef' be'ind
For the section, etc.
Soon they will camp as the dawn's growin' grey,
Roll up for coffee an' sleep while they may--
The section , etc.
Read their 'ome letters, their papers an' such,
For they'll move after dark to astonish the Dutch
With a section, etc.
'Untin' for shade as the long hours pass--
Blankets on rifles or burrows in grass,
Lies the section, etc.
Dossin' or beatin' a shirt in the sun,
Watching chameleons or cleanin' a gun,
Waits the section, etc.
With nothin' but stillness as far as you please,
An' the silly mirage stringin' islands an' seas
Round the section, etc.
So they strips off their hide an' they grills in their bones,
Till the shadows crawl out from beneath the pore stones
Toward the section, etc.
An' the Mauser-bird stops an' the jacals begin
A the 'orse-guard comes up and the Gunners 'ook in
As a 'int the pompom an' six 'undred men . . . .


Off through the dark with the stars to rely on---
(Alpha Centauri an' somethin' Orion)
Moves the section, etc.
Same bloomin' 'ole which the ant-bear 'as broke,
Same bloomin' stumble an' same bloomin' joke
Down the section, etc.
Same "which is right?" where the cart-tracks divide,
Same "give it up" from the same clever guide
To the section, etc.
Same tumble-down on the same 'idden farm,
Same white-eyed Kaffir 'oo gives the alarm--
Of the section, etc.
Same shootin' wild at the end o' the night,
Same flyin'-tackle an' same messy fight,
By the section, etc.
Same ugly 'iccup an' same 'orrid squeal,
When it's too dark to see an' it's too late to feel
In the section, etc.
(Same batch of prisoners, 'airy an' still,
Watchin' their comrades bolt over the 'ill
From the section, etc.)
Same chilly glare in the eye of the sun
As 'e gets up displeasured to see what was done
By the section, etc.
Same splash o' pink on the stoep or the kraal,
An' the same quiet face which 'as finished with all
In the section, the pompom, an' six 'undred men.
Out o' the wilderness, dusty an' dry
(Time, an' 'igh time to be trekkin' again!)
' Oo is it 'eads to the Detail Supply ?
A section, a pompom, an 'six' 'undred men.
Read full poem
Bio

Identification and basic context

Joseph Rudyard Kipling was an English writer and poet. He is widely known by his middle name, Rudyard. Born in Bombay, British India, he spent much of his formative years there and later in England. His father was an artist and principal of an art school in India. Kipling was a British national and wrote in English.

Childhood and education

Kipling's early childhood in India deeply shaped his worldview and literary output. After returning to England for his education, he attended the United Services College in Westward Ho!, Devon, which provided the setting for his novel 'Stalky & Co.'. His time there was marked by a harsh but formative experience. He received a practical education rather than a formal university degree, returning to India to begin his career in journalism.

Literary trajectory

Kipling began his literary career as a journalist in Lahore, India, in the 1880s. His early stories, often published in periodicals, showcased his keen observation of Indian life and his developing narrative skill. He gained significant fame with collections like 'Plain Tales from the Hills' and 'Soldiers Three'. His move to London in the 1890s further cemented his international reputation. He also wrote novels, essays, and songs, demonstrating a remarkable versatility.

Works, style, and literary characteristics

Kipling's major works include 'The Jungle Book' (1894), 'Kim' (1901), 'The Just So Stories' (1902), and numerous poems like 'If—' and 'The White Man's Burden'. His dominant themes often revolve around India, the British Empire, the lives of soldiers, the relationship between humans and animals, and the complexities of loyalty and duty. His style is characterized by vivid imagery, a strong narrative drive, and a colloquial yet precise use of language. He mastered various forms, from short stories and novels to ballads and epic poems. His poetic voice is often didactic, authoritative, and nationalistic. He employed powerful metaphors and rhythms, making his works highly memorable.

Cultural and historical context

Kipling was a prominent voice during the height of the British Empire, and his work is inextricably linked to the imperialist project. He lived through periods of expansion, conflict, and colonial administration, which heavily influenced his perspective. He was part of a generation of writers grappling with themes of empire, race, and cultural encounter. His strong espousal of the 'White Man's Burden' placed him at the center of contemporary debates about colonialism.

Personal life

Kipling's personal life was marked by his experiences in India and his strong sense of duty and patriotism. His marriage to Caroline Starr Balestier provided a stable partnership. He experienced personal tragedies, including the early death of his daughter Josephine, which deeply affected him and is thought to have influenced some of his later works, such as 'Kim'. He was a complex figure, deeply devoted to his family and his work.

Recognition and reception

Kipling achieved immense fame and recognition during his lifetime. He was awarded the Nobel Prize in Literature in 1907, becoming the first English-language recipient. His works were widely translated and celebrated internationally. However, his strong imperialist views also drew criticism, and his reception has been complex, with ongoing discussions about the political implications of his writings.

Influences and legacy

Kipling was influenced by his experiences in India, classical literature, and the journalistic tradition. His legacy is significant, though debated. He is credited with profoundly shaping the adventure story genre and children's literature. His influence can be seen in subsequent generations of writers who explored themes of empire, adventure, and the wilderness. His poems, particularly 'If—', remain widely quoted. His work continues to be adapted into films and other media.

Interpretation and critical analysis

Kipling's work is often analyzed through the lens of colonialism, examining his portrayal of indigenous peoples and his support for British imperial rule. Critical interpretations highlight his narrative skill and imaginative power while also scrutinizing his problematic political stances. Debates continue regarding the extent to which his stories can be separated from their imperialist context.

Curiosities and lesser-known aspects

Despite his fame, Kipling was notoriously private and sometimes irascible. He had a deep fascination with machinery and technology, which sometimes found its way into his stories. He was also known for his meticulous attention to detail in his writing. A lesser-known aspect is his significant contribution to the development of the short story form.

Death and memory

Rudyard Kipling died in London. His memory is preserved through his vast literary output, which continues to be read and studied, albeit often with critical commentary on his political views. His home, Batemans, is now a National Trust property and museum, offering insights into his life and work.

Poems

275

The Ballad of Fisher's Boarding-House

The Ballad of Fisher's Boarding-House
That night, when through the mooring-chains
The wide-eyed corpse rolled free,
To blunder down by Garden Reach
And rot at Kedgeree,
The tale the Hughli told the shoal
The lean shoal told to me.
'T was Fultah Fisher's boarding-house,
Where sailor-men reside,
And there were men of all the ports
From Mississip to Clyde,
And regally they spat and smoked,
And fearsomely they lied.
They lied about the purple Sea
That gave them scanty bread,
They lied about the Earth beneath,
The Heavens overhead,
For they had looked too often on
Black rum when that was red.
They told their tales of wreck and wrong,
Of shame and lust and fraud,
They backed their toughest statements with
The Brimstone of the Lord,
And crackling oaths went to and fro
Across the fist-banged board.
And there was Hans the blue-eyed Dane,
Bull-throated, bare of arm,
Who carried on his hairy chest
The maid Ultruda's charm --
The little silver crucifix
That keeps a man from harm.
And there was Jake Withouth-the-Ears,
And Pamba the Malay,
And Carboy Gin the Guinea cook,
And Luz from Vigo Bay,
And Honest Jack who sold them slops
And harvested their pay.
And there was Salem Hardieker,
A lean Bostonian he --
Russ, German, English, Halfbreed, Finn,
Yank, Dane, and Portuguee,
At Fultah Fisher's boarding-house
The rested from the sea.
Now Anne of Austria shared their drinks,
Collinga knew her fame,
From Tarnau in Galicia


To Juan Bazaar she came,
To eat the bread of infamy
And take the wage of shame.
She held a dozen men to heel --
Rich spoil of war was hers,
In hose and gown and ring and chain,
From twenty mariners,
And, by Port Law, that week, men called
her Salem Hardieker's.
But seamen learnt -- what landsmen know --
That neither gifts nor gain
Can hold a winking Light o' Love
Or Fancy's flight restrain,
When Anne of Austria rolled her eyes
On Hans the blue-eyed Dane.
Since Life is strife, and strife means knife,
From Howrah to the Bay,
And he may die before the dawn
Who liquored out the day,
In Fultah Fisher's boarding-house
We woo while yet we may.
But cold was Hans the blue-eyed Dane,
Bull-throated, bare of arm,
And laughter shook the chest beneath
The maid Ultruda's charm --
The little silver crucifix
That keeps a man from harm.
"You speak to Salem Hardieker;
"You was his girl, I know.
"I ship mineselfs to-morrow, see,
"Und round the Skaw we go,
"South, down the Cattegat, by Hjelm,
"To Besser in Saro."
When love rejected turns to hate,
All ill betide the man.
"You speak to Salem Hardieker" --
She spoke as woman can.
A scream -- a sob -- "He called me -- names!"
And then the fray began.
An oath from Salem Hardieker,
A shriek upon the stairs,
A dance of shadows on the wall,
A knife-thrust unawares --
And Hans came down, as cattle drop,
Across the broken chairs.


. . . . . .
In Anne of Austria's trembling hands
The weary head fell low: --
"I ship mineselfs to-morrow, straight
"For Besser in Saro;
"Und there Ultruda comes to me
"At Easter, und I go
"South, down the Cattegat -- What's here?
"There -- are -- no -- lights -- to guide!"
The mutter ceased, the spirit passed,
And Anne of Austria cried
In Fultah Fisher's boarding-house
When Hans the mighty died.
Thus slew they Hans the blue-eyed Dane,
Bull-throated, bare of arm,
But Anne of Austria looted first
The maid Ultruda's charm --
The little silver crucifix
That keeps a man from harm.
342

The Ballad of Bolivar

The Ballad of Bolivar
Seven men from all the world, back to Docks again,
Rolling down the Ratcliffe Road drunk and raising Cain:
Give the girls another drink 'fore we sign away --
We that took the ~Bolivar~ out across the Bay!
We put out from Sunderland loaded down with rails;
We put back to Sunderland 'cause our cargo shifted;
We put out from Sunderland -- met the winter gales --
Seven days and seven nights to the Start we drifted.
Racketing her rivets loose, smoke-stack white as snow,
All the coals adrift adeck, half the rails below,
Leaking like a lobster-pot, steering like a dray --
Out we took the ~Bolivar~, out across the Bay!
One by one the Lights came up, winked and let us by;
Mile by mile we waddled on, coal and fo'c'sle short;
Met a blow that laid us down, heard a bulkhead fly;
Left the ~Wolf~ behind us with a two-foot list to port.
Trailing like a wounded duck, working out her soul;
Clanging like a smithy-shop after every roll;
Just a funnel and a mast lurching through the spray --
So we threshed the ~Bolivar~ out across the Bay!
'Felt her hog and felt her sag, betted when she'd break;
Wondered every time she raced if she'd stand the shock;
Heard the seas like drunken men pounding at her strake;
Hoped the Lord 'ud keep his thumb on the plummer-block.
Banged against the iron decks, bilges choked with coal;
Flayed and frozen foot and hand, sick of heart and soul;
Last we prayed she'd buck herself into judgment Day --
Hi! we cursed the ~Bolivar~ knocking round the Bay!
O her nose flung up to sky, groaning to be still --
Up and down and back we went, never time for breath;
Then the money paid at Lloyd's caught her by the heel,
And the stars ran round and round dancin' at our death.
Aching for an hour's sleep, dozing off between;
'Heard the rotten rivets draw when she took it green;
'Watched the compass chase its tail like a cat at play --
That was on the ~Bolivar~, south across the Bay.
Once we saw between the squalls, lyin' head to swell --
Mad with work and weariness, wishin' they was we --
Some damned Liner's lights go by like a long hotel;
Cheered her from the ~Bolivar~ swampin' in the sea.
Then a grayback cleared us out, then the skipper laughed;
"Boys, the wheel has gone to Hell -- rig the winches aft!
Yoke the kicking rudder-head -- get her under way!"
So we steered her, pulley-haul, out across the Bay!
Just a pack o' rotten plates puttied up with tar,
In we came, an' time enough, 'cross Bilbao Bar.


Overloaded, undermanned, meant to founder, we
Euchred God Almighty's storm, bluffed the Eternal Sea!
Seven men from all the world, back to town again,
Rollin' down the Ratcliffe Road drunk and raising Cain:
Seven men from out of Hell. Ain't the owners gay,
'Cause we took the "Bolivar" safe across the Bay?
582

The Anvil

The Anvil
England's on the anvil--hear the hammers ring--
Clanging from the Severn to the Tyne!
Never was a blacksmith like our Norman King--
England's being hammered, hammered, hammered into line!
England's on the anvil! Heavy are the blows!
(But the work will be a marvel when it's done.)
Little bits of Kingdoms cannot stand against their foes.
England's being hammered hammered, hammered into one!
There shall be one people--it shall serve one Lord--
(Neither Prist nor Baron shall escape!)
It shall have one speech and law, soul and strength and sword.
England's being hammered, hammered, hammered into
shape!
540

The American Rebellion

The American Rebellion
Before
Twas not while England's sword unsheathed
Put half a world to flight,
Nor while their new-built cities breathed
Secure behind her might;
Not while she poured from Pole to Line
Treasure and ships and men--
These worshippers at Freedoms shrine
They did not quit her then!
Not till their toes were driven forth
By England o'er the main--
Not till the Frenchman from the North
Had gone with shattered Spain;
Not till the clean-swept oceans showed
No hostile flag unrolled,
Did they remember that they owed
To Freedom--and were bold!
After
The snow lies thick on Valley Forge,
The ice on the Delaware,
But the poor dead soldiers of King George
They neither know nor care.
Not though the earliest primrose break
On the sunny side of the lane,
And scuffling rookeries awake
Their England' s spring again.
They will not stir when the drifts are gone,
Or the ice melts out of the bay:
And the men that served with Washington
Lie all as still as they.
They will not stir though the mayflower blows
In the moist dark woods of pine,
And every rock-strewn pasture shows
Mullein and columbine.
Each for his land, in a fair fight,
Encountered strove, and died,
And the kindly earth that knows no spite
Covers them side by side.
She is too busy to think of war;
She has all the world to make gay;
And, behold, the yearly flowers are
Where they were in our fathers' day!


Golden-rod by the pasture-wall
When the columbine is dead,
And sumach leaves that turn, in fall,
Bright as the blood they shed.
487

The Mary Gloster

The "Mary Gloster"
I've paid for your sickest fancies; I've humoured your crackedest whim --
Dick, it's your daddy, dying; you've got to listen to him!
Good for a fortnight, am I? The doctor told you? He lied.
I shall go under by morning, and -- Put that nurse outside.
'Never seen death yet, Dickie? Well, now is your time to learn,
And you'll wish you held my record before it comes to your turn.
Not counting the Line and the Foundry, the yards and the village, too,
I've made myself and a million; but I'm damned if I made you.
Master at two-and-twenty, and married at twenty-three --
Ten thousand men on the pay-roll, and forty freighters at sea!
Fifty years between 'em, and every year of it fight,
And now I'm Sir Anthony Gloster, dying, a baronite:
For I lunched with his Royal 'Ighness -- what was it the papers a-had?
"Not least of our merchant-princes." Dickie, that's me, your dad!
~I~ didn't begin with askings. ~I~ took my job and I stuck;
And I took the chances they wouldn't, an' now they're calling it luck.
Lord, what boats I've handled -- rotten and leaky and old!
Ran 'em, or -- opened the bilge-cock, precisely as I was told.
Grub that 'ud bind you crazy, and crews that 'ud turn you grey,
And a big fat lump of insurance to cover the risk on the way.
The others they dursn't do it; they said they valued their life
(They've served me since as skippers). ~I~ went, and I took my wife.
Over the world I drove 'em, married at twenty-three,
And your mother saving the money and making a man of me.
~I~ was content to be master, but she said there was better behind;
She took the chances I wouldn't, and I followed your mother blind.
She egged me to borrow the money, an' she helped me to clear the loan,
When we bought half shares in a cheap 'un and hoisted a flag of our own.
Patching and coaling on credit, and living the Lord knew how,
We started the Red Ox freighters -- we've eight-and-thirty now.
And those were the days of clippers, and the freights were clipper-freights,
And we knew we were making our fortune, but she died in Macassar Straits --
By the Little Paternosters, as you come to the Union Bank --
And we dropped her in fourteen fathom; I pricked it off where she sank.
Owners we were, full owners, and the boat was christened for her,
And she died in the ~Mary Gloster~. My heart, how young we were!
So I went on a spree round Java and well-nigh ran her ashore,
But your mother came and warned me and I wouldn't liquor no more:
Strict I stuck to my business, afraid to stop or I'd think,
Saving the money (she warned me), and letting the other men drink.
And I met M'Cullough in London (I'd turned five 'undred then),
And 'tween us we started the Foundry -- three forges and twenty men:
Cheap repairs for the cheap 'uns. It paid, and the business grew,
For I bought me a steam-lathe patent, and that was a gold mine too.
"Cheaper to build 'em than buy 'em," ~I~ said, but M'Cullough he shied,
And we wasted a year in talking before we moved to the Clyde.
And the Lines were all beginning, and we all of us started fair,
Building our engines like houses and staying the boilers square.
But M'Cullough 'e wanted cabins with marble and maple and all,
And Brussels an' Utrecht velvet, and baths and a Social Hall,
And pipes for closets all over, and cutting the frames too light,
But M'Cullough he died in the Sixties, and -- Well, I'm dying to-night. . . .


I knew -- ~I~ knew what was coming, when we bid on the ~Byfleet~'s keel --
They piddled and piffled with iron: I'd given my orders for steel!
Steel and the first expansions. It paid, I tell you, it paid,
When we came with our nine-knot freighters and collared the long-run trade!
And they asked me how I did it, and I gave 'em the Scripture text,
"You keep your light so shining a little in front o' the next!"
They copied all they could follow, but they couldn't copy my mind,
And I left 'em sweating and stealing a year and a half behind.
Then came the armour-contracts, but that was M'Cullough's side;
He was always best in the Foundry, but better, perhaps, he died.
I went through his private papers; the notes was plainer than print;
And I'm no fool to finish if a man'll give me a hint.
(I remember his widow was angry.) So I saw what the drawings meant,
And I started the six-inch rollers, and it paid me sixty per cent --
Sixty per cent ~with~ failures, and more than twice we could do,
And a quarter-million to credit, and I saved it all for you!
I thought -- it doesn't matter -- you seemed to favour your ma,
But you're nearer forty than thirty, and I know the kind you are.
Harrer an' Trinity College! I ought to ha' sent you to sea --
But I stood you an education, an' what have you done for me?
The things I knew was proper you wouldn't thank me to give,
And the things I knew was rotten you said was the way to live.
For you muddled with books and pictures, an' china an' etchin's an' fans,
And your rooms at college was beastly -- more like a whore's than a man's --
Till you married that thin-flanked woman, as white and as stale as a bone,
An' she gave you your social nonsense; but where's that kid o' your own?
I've seen your carriages blocking the half o' the Cromwell Road,
But never the doctor's brougham to help the missus unload.
(So there isn't even a grandchild, an' the Gloster family's done.)
Not like your mother, she isn't. ~She~ carried her freight each run.
But they died, the pore little beggars! At sea she had 'em -- they died.
Only you, an' you stood it; you haven't stood much beside.
Weak, a liar, and idle, and mean as a collier's whelp
Nosing for scraps in the galley. No help -- my son was no help!
So he gets three 'undred thousand, in trust and the interest paid.
I wouldn't give it you, Dickie -- you see, I made it in trade.
You're saved from soiling your fingers, and if you have no child,
It all comes back to the business. Gad, won't your wife be wild!
'Calls and calls in her carriage, her 'andkerchief up to 'er eye:
"Daddy! dear daddy's dyin'!" and doing her best to cry.
Grateful? Oh, yes, I'm grateful, but keep her away from here.
Your mother 'ud never ha' stood 'er, and, anyhow, women are queer. . . .
There's women will say I've married a second time.
Not quite! But give pore Aggie a hundred, and tell her your lawyers'll fight.
She was the best o' the boiling -- you'll meet her before it ends;
I'm in for a row with the mother -- I'll leave you settle my friends:
For a man he must go with a woman, which women don't understand --
Or the sort that say they can see it they aren't the marrying brand.
But I wanted to speak o' your mother that's Lady Gloster still --
I'm going to up and see her, without it's hurting the will.
Here! Take your hand off the bell-pull. Five thousand's waiting for you,
If you'll only listen a minute, and do as I bid you do.


They'll try to prove me crazy, and, if you bungle, they can;
And I've only you to trust to! (O God, why ain't he a man?)
There's some waste money on marbles, the same as M'Cullough tried --
Marbles and mausoleums -- but I call that sinful pride.
There's some ship bodies for burial -- we've carried 'em, soldered and packed;
Down in their wills they wrote it, and nobody called ~them~ cracked.
But me -- I've too much money, and people might. . . . All my fault:
It come o' hoping for grandsons and buying that Wokin' vault.
I'm sick o' the 'ole dam' business; I'm going back where I came.
Dick, you're the son o' my body, and you'll take charge o' the same!
I want to lie by your mother, ten thousand mile away,
And they'll want to send me to Woking; and that's where you'll earn your pay.
I've thought it out on the quiet, the same as it ought to be done --
Quiet, and decent, and proper -- an' here's your orders, my son.
You know the Line? You don't, though. You write to the Board, and tell
Your father's death has upset you an' you're goin' to cruise for a spell,
An' you'd like the ~Mary Gloster~ -- I've held her ready for this --
They'll put her in working order and you'll take her out as she is.
Yes, it was money idle when I patched her and put her aside
(Thank God, I can pay for my fancies!) -- the boat where your mother died,
By the Little Paternosters, as you come to the Union Bank,
We dropped her -- I think I told you -- and I pricked it off where she sank --
['Tiny she looked on the grating -- that oily, treacly sea --]
'Hundred and eighteen East, remember, and South just three.
Easy bearings to carry -- three South -- three to the dot;
But I gave M'Andrew a copy in case of dying -- or not.
And so you'll write to M'Andrew, he's Chief of the Maori Line;
They'll give him leave, if you ask 'em and say it's business o' mine.
I built three boats for the Maoris, an' very well pleased they were,
An' I've known Mac since the Fifties, and Mac knew me -- and her.
After the first stroke warned me I sent him the money to keep
Against the time you'd claim it, committin' your dad to the deep;
For you are the son o' my body, and Mac was my oldest friend,
I've never asked 'im to dinner, but he'll see it out to the end.
Stiff-necked Glasgow beggar, I've heard he's prayed for my soul,
But he couldn't lie if you paid him, and he'd starve before he stole!
He'll take the ~Mary~ in ballast -- you'll find her a lively ship;
And you'll take Sir Anthony Gloster, that goes on 'is wedding-trip,
Lashed in our old deck-cabin with all three port-holes wide,
The kick o' the screw beneath him and the round blue seas outside!
Sir Anthony Gloster's carriage -- our 'ouse-flag flyin' free --
Ten thousand men on the pay-roll and forty freighters at sea!
He made himself and a million, but this world is a fleetin' show,
And he'll go to the wife of 'is bosom the same as he ought to go --
By the heel of the Paternosters -- there isn't a chance to mistake --
And Mac'll pay you the money as soon as the bubbles break!
Five thousand for six weeks' cruising, the staunchest freighter afloat,
And Mac he'll give you your bonus the minute I'm out o' the boat!
He'll take you round to Macassar, and you'll come back alone;
He knows what I want o' the ~Mary~. . . . I'll do what I please with my own.
Your mother 'ud call it wasteful, but I've seven-and-thirty more;
I'll come in my private carriage and bid it wait at the door. . . .


For my son 'e was never a credit: 'e muddled with books and art,
And 'e lived on Sir Anthony's money and 'e broke Sir Anthony's heart.
There isn't even a grandchild, and the Gloster family's done --
The only one you left me, O mother, the only one!
Harrer and Trinity College -- me slavin' early an' late --
An' he thinks I'm dying crazy, and you're in Macassar Strait!
Flesh o' my flesh, my dearie, for ever an' ever amen,
That first stroke come for a warning; I ought to ha' gone to you then,
But -- cheap repairs for a cheap 'un -- the doctors said I'd do:
Mary, why didn't ~you~ warn me? I've allus heeded to you,
Excep' -- I know -- about women; but you are a spirit now;
An', wife, they was only women, and I was a man. That's how.
An' a man 'e must go with a woman, as you could not understand;
But I never talked 'em secrets. I paid 'em out o' hand.
Thank Gawd, I can pay for my fancies! Now what's five thousand to me,
For a berth off the Paternosters in the haven where I would be?
~I~ believe in the Resurrection, if I read my Bible plain,
But I wouldn't trust 'em at Wokin'; we're safer at sea again.
For the heart it shall go with the treasure -- go down to the sea in ships.
I'm sick of the hired women -- I'll kiss my girl on her lips!
I'll be content with my fountain, I'll drink from my own well,
And the wife of my youth shall charm me -- an' the rest can go to Hell!
(Dickie, ~he~ will, that's certain.) I'll lie in our standin'-bed,
An' Mac'll take her in ballast -- an' she trims best by the head. . . .
Down by the head an' sinkin', her fires are drawn and cold,
And the water's splashin' hollow on the skin of the empty hold --
Churning an' choking and chuckling, quiet and scummy and dark --
Full to her lower hatches and risin' steady. Hark!
That was the after-bulkhead. . . . She's flooded from stem to stern. . . .
Never seen death yet, Dickie? . . . Well, now is your time to learn!
827

Song of the Fifth River

Song of the Fifth River
Where first by Eden Tree
The Four Great Rivers ran,
To each was appointed a Man
Her Prince and Ruler to be.
But after this was ordained
(The ancient legends' tell),
There came dark Israel,
For whom no River remained.
Then He Whom the Rivers obey
Said to him: "Fling on the ground
A handful of yellow clay,
And a Fifth Great River shall run,
Mightier than these Four,
In secret the Earth around;
And Her secret evermore,
Shall be shown to thee and thy Race."
So it was said and done.
And, deep in the veins of Earth,
And, fed by a thousand springs
That comfort the market-place,
Or sap the power of King,
The Fifth Great River had birth,
Even as it was foretold--
The Secret River of Gold!
And Israel laid down
His sceptre and his crown,
To brood on that River bank
Where the waters flashed and sank
And burrowed in earth and fell
And bided a season below,
For reason that none might know,
Save only Israel
He is Lord of the Last--
The Fifth, most wonderful, Flood.
He hears Her thunder past
And Her Song is in his blood.
He can foresay: "She will fall,"
For he knows which fountain dries
Behind which desert-belt
A thousand leagues to the South.
He can foresay: "She will rise."
He knows what far snows melt
Along what mountain-wall
A thousand leagues to the North,
He snuffs the coming drouth
As he snuffs the coming rain,


He knows what each will bring forth,
And turns it to his gain.
A Ruler without a Throne,
A Prince without a Sword,
Israel follows his quest.
In every land a guest,
Of many lands a lord,
In no land King is he.
But the Fifth Great River keeps
The secret of Her deeps
For Israel alone,
As it was ordered to be.
563

Tarrant Moss

Tarrant Moss
I closed and drew for my love's sake
That now is false to me,
And I slew the Reiver of Tarrant Moss
And set Dumeny free.
They have gone down, they have gone down,
They are standing all arow -
Twenty knights in the peat-water,
That never struck a blow!
Their armour shall not dull nor rust,
Their flesh shall not decay,
For Tarrant Moss holds them in trust,
Until the Judgment Day.
Their soul went from them in their youth,
Ah God, that mine had gone,
Whenas I leaned on my love's truth
And not on my sword alone!
Whenas I leaned on lad's belief
And not on my naked blade -
And I slew a thief, and an honest thief,
For the sake of a worthless maid.
They have laid the Reiver low in his place,
They have set me up on high,
But the twenty knights in the peat-water
Are luckier than I!
And ever they give me gold and praise
And ever I mourn my loss -
For I struck the blow for my false love's sake
And not for the Men of the Moss!
483

Snarleyow

Snarleyow
This 'appened in a battle to a batt'ry of the corps
Which is first among the women an' amazin' first in war;
An' what the bloomin' battle was I don't remember now,
But Two's off-lead 'e answered to the name o' ~Snarleyow~.
Down in the Infantry, nobody cares;
Down in the Cavalry, Colonel 'e swears;
But down in the lead with the wheel at the flog
Turns the bold Bombardier to a little whipped dog!
They was movin' into action, they was needed very sore,
To learn a little schoolin' to a native army corps,
They 'ad nipped against an uphill, they was tuckin' down the brow,
When a tricky, trundlin' roundshot give the knock to ~Snarleyow~.
They cut 'im loose an' left 'im -- 'e was almost tore in two --
But he tried to follow after as a well-trained 'orse should do;
'E went an' fouled the limber, an' the Driver's Brother squeals:
"Pull up, pull up for ~Snarleyow~ -- 'is head's between 'is 'eels!"
The Driver 'umped 'is shoulder, for the wheels was goin' round,
An' there ain't no "Stop, conductor!" when a batt'ry's changin' ground;
Sez 'e: "I broke the beggar in, an' very sad I feels,
But I couldn't pull up, not for ~you~ -- your 'ead between your 'eels!"
'E 'adn't 'ardly spoke the word, before a droppin' shell
A little right the batt'ry an' between the sections fell;
An' when the smoke 'ad cleared away, before the limber wheels,
There lay the Driver's Brother with 'is 'ead between 'is 'eels.
Then sez the Driver's Brother, an' 'is words was very plain,
"For Gawd's own sake get over me, an' put me out o' pain."
They saw 'is wounds was mortial, an' they judged that it was best,
So they took an' drove the limber straight across 'is back an' chest.
The Driver 'e give nothin' 'cept a little coughin' grunt,
But 'e swung 'is 'orses 'andsome when it came to "Action Front!"
An' if one wheel was juicy, you may lay your Monday head
'Twas juicier for the niggers when the case begun to spread.
The moril of this story, it is plainly to be seen:
You 'avn't got no families when servin' of the Queen --
You 'avn't got no brothers, fathers, sisters, wives, or sons --
If you want to win your battles take an' work your bloomin' guns!
Down in the Infantry, nobody cares;
Down in the Cavalry, Colonel 'e swears;
But down in the lead with the wheel at the flog
Turns the bold Bombardier to a little whipped dog!
468

Soldier, Soldier

Soldier, Soldier
"Soldier, soldier come from the wars,
Why don't you march with my true love?"
"We're fresh from off the ship an' 'e's maybe give the slip,
An' you'd best go look for a new love."
New love! True love!
Best go look for a new love,
The dead they cannot rise, an' you'd better dry your eyes,
An' you'd best go look for a new love.
"Soldier, soldier come from the wars,
What did you see o' my true love?"
"I seed 'im serve the Queen in a suit o' rifle-green,
An' you'd best go look for a new love."
"Soldier, soldier come from the wars,
Did ye see no more o' my true love?"
"I seed 'im runnin' by when the shots begun to fly --
But you'd best go look for a new love."
"Soldier, soldier come from the wars,
Did aught take 'arm to my true love?"
"I couldn't see the fight, for the smoke it lay so white --
An' you'd best go look for a new love."
"Soldier, soldier come from the wars,
I'll up an' tend to my true love!"
"'E's lying on the dead with a bullet through 'is 'ead,
An' you'd best go look for a new love."
"Soldier, soldier come from the wars,
I'll down an' die with my true love!"
"The pit we dug'll 'ide 'im an' the twenty men beside 'im --
An' you'd best go look for a new love."
"Soldier, soldier come from the wars,
Do you bring no sign from my true love?"
"I bring a lock of 'air that 'e allus used to wear,
An' you'd best go look for a new love."
"Soldier, soldier come from the wars,
O then I know it's true I've lost my true love!"
"An' I tell you truth again -- when you've lost the feel o' pain
You'd best take me for your true love."
True love! New love!
Best take 'im for a new love,
The dead they cannot rise, an' you'd better dry your eyes,
An' you'd best take 'im for your true love.
465

Sestina Of The Tramp-Royal

Sestina Of The Tramp-Royal
Speakin' in general, I 'ave tried 'em all,
The 'appy roads that take you o'er the world.
Speakin' in general, I 'ave found them good
For such as cannot use one bed too long,
But must get 'ence, the same as I 'ave done,
An' go observin' matters till they die.
What do it matter where or 'ow we die,
So long as we've our 'ealth to watch it all --
The different ways that different things are done,
An' men an' women lovin' in this world --
Takin' our chances as they come along,
An' when they ain't, pretendin' they are good?
In cash or credit -- no, it aren't no good;
You 'ave to 'ave the 'abit or you'd die,
Unless you lived your life but one day long,
Nor didn't prophesy nor fret at all,
But drew your tucker some'ow from the world,
An' never bothered what you might ha' done.
But, Gawd, what things are they I 'aven't done?
I've turned my 'and to most, an' turned it good,
In various situations round the world --
For 'im that doth not work must surely die;
But that's no reason man should labour all
'Is life on one same shift; life's none so long.
Therefore, from job to job I've moved along.
Pay couldn't 'old me when my time was done,
For something in my 'ead upset me all,
Till I 'ad dropped whatever 'twas for good,
An', out at sea, be'eld the dock-lights die,
An' met my mate -- the wind that tramps the world!
It's like a book, I think, this bloomin' world,
Which you can read and care for just so long,
But presently you feel that you will die
Unless you get the page you're readin' done,
An' turn another -- likely not so good;
But what you're after is to turn 'em all.
Gawd bless this world! Whatever she 'ath done --
Excep' when awful long -- I've found it good.
So write, before I die, "'E liked it all!"
568

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