Escritas

Poems List

The Palace

The Palace

When I was a King and a Mason -- a Master proven and skilled --
I cleared me ground for a Palace such as a King should build.
I decreed and dug down to my levels. Presently, under the silt,
I came on the wreck of a Palace such as a King had built.
There was no worth in the fashion -- there was no wit in the plan --
Hither and thither, aimless, the ruined footings ran --
Masonry, brute, mishandled, but carven on every stone:
"After me cometh a Builder. Tell him, I too have known."
Swift to my use in my trenches, where my well-planned ground-works grew,
I tumbled his quoins and his ashlars, and cut and reset them anew.
Lime I milled of his marbles; burned it, slacked it, and spread;
Taking and leaving at pleasure the gifts of the humble dead.
Yet I despised not nor gloried; yet, as we wrenched them apart,
I read in the razed foundations the heart of that builder's heart.
As he had risen and pleaded, so did I understand
The form of the dream he had followed in the face of the thing he had planned.
* * * * *
When I was a King and a Mason -- in the open noon of my pride,
They sent me a Word from the Darkness. They whispered and called me aside.
They said -- "The end is forbidden." They said -- "Thy use is fulfilled.
"Thy Palace shall stand as that other's -- the spoil of a King who shall build."
I called my men from my trenches, my quarries, my wharves, and my sheers.
All I had wrought I abandoned to the faith of the faithless years.
Only I cut on the timber -- only I carved on the stone:
"After me cometh a Builder. Tell him, I too have known!"
589

The Only Son

The Only Son
She dropped the bar, she shot the bolt, she fed the fire anew
For she heard a whimper under the sill and a great grey paw came through.
The fresh flame comforted the hut and shone on the roof-beam,
And the Only Son lay down again and dreamed that he dreamed a dream.
The last ash fell from the withered log with the click of a falling spark,
And the Only Son woke up again, and called across the dark:--
"Now was I born of womankind and laid in a mother's breast?
For I have dreamed of a shaggy hide whereon I went to rest.
And was I born of womankind and laid on a father's arm?
For I have dreamed of clashing teeth that guarded me from harm.
And was I born an Only Son and did I play alone?
For I have dreamed of comrades twain that bit me to the bone.
And did I break the barley-cake and steep it in the tyre?
For I have dreamed of a youngling kid new-riven from the byre:
For I have dreamed of a midnight sky and a midnight call to blood
And red-mouthed shadows racing by, that thrust me from my food.
'Tis an hour yet and an hour yet to the rising of the moon,
But I can see the black roof-tree as plain as it were noon.
'Tis a league and a league to the Lena Falls where the trooping blackbuck go;
But I can hear the little fawn that bleats behind the doe.
'Tis a league and a league to the Lena Falls where the crop and the upland meet,
But I Can smell the wet dawn-wind that wakes the sprouting wheat.
Unbar the door. I may not bide, but I must out and see
If those are wolves that wait outside or my own kin to me!"
. . . . .
She loosed the bar, she slid the bolt, she opened the door anon,
And a grey bitch-wolf came out of the dark and fawned on the Only Son!
434

The Old Issue

The Old Issue
October , -- Outbreak of Boer War
Here is nothing new nor aught unproven," say the Trumpets,
"Many feet have worn it and the road is old indeed.
"It is the King--the King we schooled aforetime! "
(Trumpets in the marshes-in the eyot at Runnymede!)
"Here is neither haste, nor hate, nor anger," peal the Trumpets,
"Pardon for his penitence or pity for his fall.
"It is the King!"--inexorable Trumpets--
(Trumpets round the scaffold af the dawning by Whitehall!)
. . . . . . .
"He hath veiled the Crown And hid the Scepter," warn (he Trum pets,
"He hath changed the fashion of the lies that cloak his will.
"Hard die the Kings--ah hard--dooms hard!" declare the Trumpets,
Trumpets at the gang-plank where the brawling troop-decks fill!
Ancient and Unteachable, abide--abide the Trumpets!
Once again the Trumpets, for the shuddering ground-swell brings
Clamour over ocean of the harsh, pursuing Trumpets--
Trumpets of the Vanguard that have sworn no truce with Kings!
All we have of freedom, all we use or know--
This our fathers bought for us long and long ago.
Ancient Right unnoticed as the breath we draw--
Leave to live by no man's leave, underneath the Law.
Lance and torch and tumult, steel and grey-goose wing
Wrenched it, inch and ell and all, slowly from the king.
Till our fathers 'stablished,, after bloody years,
How our King is one with us, first among his peers.
So they bought us freedom-not at little cost--
Wherefore must we watch the King, lest our gain be lost.
Over all things certain, this is sure indeed,
Suffer not the old King: for we know the breed.
Give no ear to bondsmen bidding us endure.
Whining "He is weak and far"; crying "Time will cure."
(Time himself is witness, till the battle joins,
Deeper strikes the rottenness in the people's loins.)
Give no heed to bondsmen masking war with peace.
Suffer not the old King here or overseas.


They that beg us barter--wait his yielding mood--
Pledge the years we hold in trust-pawn our brother's blood--
Howso' great their clamour, whatsoe'er their claim,
Suffer not the old King under any name!
Here is naught unproven--here is naught to learn.
It is written what shall fall if the King return.
He shall mark our goings, question whence we came,
Set his guards about us, as in Freedom's name.
He shall take a tribute, toll of all our ware;
He shall change our gold for arms--arms we may not bear.
He shall break his Judges if they cross his word;
He shall rule above the Law calling on the Lord.
He shall peep and mutter; and the night shall bring
Watchers 'neath our window, lest we mock the King --
Hate and all division; hosts of hurrying spies;
Money poured in secret, carrion breeding flies.
Strangers of his counsel, hirelings of his pay,
These shall deal our Justice: sell-deny-delay.
We shall drink dishonour, we shall eat abuse
For the Land we look to--for the Tongue we use.
We shall take our station, dirt beneath his feet,
While his hired captains jeer us in the street.
Cruel in the shadow, crafty in the sun,
Far beyond his borders shall his teachings run.
Sloven, sullen, savage, secret, uncontrolled,
Laying on a new land evil of the old--
Long-forgotten bondage, dwarfing heart and brain--
All our fathers died to loose he shall bind again.
Here is nought at venture, random nor untrue
Swings the wheel full-circle, brims the cup anew.
Here is naught unproven, here is nothing hid:
Step for step and word for word--so the old Kings did!
Step by step, and word by word: who is ruled may read.
Suffer not the old Kings: for we know the breed--


All the right they promise--all the wrong they bring.
Stewards of the Judgment, suffer not this King!
466

The North Sea Patrol

The North Sea Patrol
- -- Sea Warfare
Where the East wind is brewed fresh and fresh every morning,
And the balmy night-breezes blow straight from the Pole,
I heard a Destroyer sing: "What an enjoyable
life does one lead on the North Sea Patrol!
"To blow things to bits is our business (and Fritz's),
Which means there are mine-fields wherever you stroll.
Unless you've particular wish to die quick, you'll avoid
steering close to the North Sea Patrol.
"We warn from disaster the mercantile master
Who takes in high Dudgeon our life-saving role,
For every one's grousing at Docking and Dowsing
The marks and the lights on the North Sea Patrol."
[Twelve verses omitted.]
So swept but surviving, half drowned but still driving
I watched her head out through the swell off the shoal,
And I heard her propellers roar- "Write to poor fellers
Who run such a Hell as the North Sea Patrol!"
527

The Necessitarian

The Necessitarian
I know not in Whose hands are laid
To empty upon earth
From unsuspected ambuscade
The very Urns of Mirth;
Who bids the Heavenly Lark arise
And cheer our solemn round--
The Jest beheld with streaming eyes
And grovellings on the ground;
Who joins the flats of Time and Chance
Behind the prey preferred,
And thrones on Shrieking Circumstance
The Sacredly Absurd,
Till Laughter, voiceless through excess,
Waves mute appeal and sore,
Above the midriff's deep distress,
For breath to laugh once more.
No creed hath dared to hail Him Lord,
No raptured choirs proclaim,
And Nature's strenuous Overword
Hath nowhere breathed His Name.
Yet, it must be, on wayside jape,
The selfsame Power bestows
The selfsame power as went to shape
His Planet or His Rose.
457

The Mother's Son

The Mother's Son
I have a dream -- a dreadful dream --
A dream that is never done.
I watch a man go out of his mind,
And he is My Mother's Son.
They pushed him into a Mental Home,
And that is like the grave:
For they do not let you sleep upstairs,
And you aren't allowed to shave.
And it was not disease or crime
Which got him landed there,
But because They laid on My Mother's Son
More than a man could bear.
What with noise, and fear of death,
Waking, and wounds and cold,
They filled the Cup for My Mother's Son
Fuller than it could hold.
They broke his body and his mind
And yet They made him live,
And They asked more of My Mother's Son
Than any man could give.
For, just because he had not died,
Nor been discharged nor sick,
They dragged it out with My Mother's Son
Longer than he could stick....
And no one knows when he'll get well --
So, there he'll have to be:
And, 'spite of the beard in the looking-glass,
I know that man is me!
456

The Native-Born

The Native-Born
We've drunk to the Queen -- God bless her! --
We've drunk to our mothers' land;
We've drunk to our English brother
(But he does not understand);
We've drunk to the wide creation,
And the Cross swings low for the morn;
Last toast, and of obligation,
A health to the Native-born!
They change their skies above them,
But not their hearts that roam!
We learned from our wistful mothers
To call old England "home";
We read of the English skylark,
Of the spring in the English lanes,
But we screamed with the painted lories
As we rode on the dusty plains!
They passed with their old-world legends --
Their tales of wrong and dearth --
Our fathers held by purchase,
But we by the right of birth;
Our heart's where they rocked our cradle,
Our love where we spent our toil,
And our faith and our hope and our honour
We pledge to our native soil!
I charge you charge your glasses --
I charge you drink with me
To the men of the Four New Nations,
And the Islands of the Sea --
To the last least lump of coral
That none may stand outside,
And our own good pride shall teach us
To praise our comrade's pride!
To the hush of the breathless morning
On the thin, tin, crackling roofs,
To the haze of the burned back-ranges
And the dust of the shoeless hoofs --
To the risk of a death by drowning,
To the risk of a death by drouth --
To the men of a million acres,
To the Sons of the Golden South!
To the Sons of the Golden South (Stand up!),
And the life we live and know,
Let a fellow sing o' the little things he cares about,
If a fellow fights for the little things he cares about
With the weight of a single blow!
To the smoke of a hundred coasters,


To the sheep on a thousand hills,
To the sun that never blisters,
To the rain that never chills --
To the land of the waiting spring-time,
To our five-meal, meat-fed men,
To the tall, deep-bosomed women,
And the children nine and ten!
And the children nine and ten (Stand up!),
And the life we live and know,
Let a fellow sing o' the little things he cares about,
If a fellow fights for the little things he cares about
With the weight of a two-fold blow!
To the far-flung fenceless prairie
Where the quick cloud-shadows trail,
To our neighbour's barn in the offing
And the line of the new-cut rail;
To the plough in her league-long furrow
With the gray Lake gulls behind --
To the weight of a half-year's winter
And the warm wet western wind!
To the home of the floods and thunder,
To her pale dry healing blue --
To the lift of the great Cape combers,
And the smell of the baked Karroo.
To the growl of the sluicing stamp-head --
To the reef and the water-gold,
To the last and the largest Empire,
To the map that is half unrolled!
To our dear dark foster-mothers,
To the heathen songs they sung --
To the heathen speech we babbled
Ere we came to the white man's tongue.
To the cool of our deep verandas --
To the blaze of our jewelled main,
To the night, to the palms in the moonlight,
And the fire-fly in the cane!
To the hearth of our people's people --
To her well-ploughed windy sea,
To the hush of our dread high-altar
Where The Abbey makes us We;
To the grist of the slow-ground ages,
To the gain that is yours and mine --
To the Bank of the Open Credit,
To the Power-house of the Line!
We've drunk to the Queen -- God bless her! --
We've drunk to our mothers' land;


We've drunk to our English brother
(And we hope he'll understand).
We've drunk as much as we're able,
And the Cross swings low for the morn;
Last toast -- and your foot on the table! --
A health to the Native-born!
A health to the Native-born (Stand up!),
We're six white men arow,
All bound to sing o' the little things we care about,
All bound to fight for the little things we care about
With the weight of a six-fold blow!
By the might of our cable-tow (Take hands!),
From the Orkneys to the Horn,
All round the world (and a little loop to pull it by),
All round the world (and a little strap to buckle it),
A health to the Native-born!
482

The Moon of Other Days

The Moon of Other Days
Beneath the deep veranda's shade,
When bats begin to fly,
I sit me down and watch -- alas! --
Another evening die.
Blood-red behind the sere ferash
She rises through the haze.
Sainted Diana! can that be
The Moon of Other Days?
Ah! shade of little Kitty Smith,
Sweet Saint of Kensington!
Say, was it ever thus at Home
The Moon of August shone,
When arm in arm we wandered long
Through Putney's evening haze,
And Hammersmith was Heaven beneath
The moon of Other Days?
But Wandle's stream is Sutlej now,
And Putney's evening haze
The dust that half a hundered kine
Before my window raise.
Unkempt, unclean, athwart the mist
The seething city looms,
In place of Putney's golden gorse
The sickly babul blooms.
Glare down, old Hecate, through the dust,
And bid the pie-dog yell,
Draw from the drain its typhoid-term,
From each bazaar its smell;
Yea, suck the fever from the tank
And sap my strength therewith:
Thank Heaven, you show a smiling face
To little Kitty Smith!
417

The Morning Song of the Jungle

The Morning Song of the Jungle
One moment past our bodies cast
No shadow on the plain;
Now clear and black they stride our track,
And we run home again.
In morning-hush, each rock and bush
Stands hard, and high, and raw:
Then give the Call: "Good rest to all
That keep the Jungle Law!"
Now horn and pelt our peoples melt
In covert to abide;
Now, crouched and still, to cave and hill
Our Jungle Barons glide.
Now, stark and plain, Man's oxen strain,
That draw the new-yoked plough;
Now, stripped and dread, the dawn is red
Above the lit talao.
Ho! Get to lair! The sun's aflare
Behind the breathing grass:
And creaking through the young bamboo
The warning whispers pass.
By day made strange, the woods we range
With blinking eyes we scan;
While down the skies the wild duck cries:
"The Day--the Day to Man!"
The dew is dried that drenched our hide,
Or washed about our way;
And where we drank, the puddled bank
Is crisping into clay.
The traitor Dark gives up each mark
Of stretched or hooded claw:
Then hear the Call: "Good rest to all
That keep the Jungle Law!"
493

The Miracle of Purun Bhagat

The Miracle of Purun Bhagat
The night we felt the earth would move
We stole and plucked him by the hand,
Because we loved him with the love
That knows but cannot understand.
And when the roaring hillside broke,
And all our world fell down in rain,
We saved him, we the Little Folk;
But lo! he does not come again!
Mourn now, we saved him for the sake
Of such poor love as wild ones may.
Mourn ye! Our brother will not wake,
And his own kind drive us away!
404

Comments (0)

ShareOn Facebook WhatsApp X
Log in to post a comment.

NoComments

Identification and basic context

Joseph Rudyard Kipling was an English writer and poet. He is widely known by his middle name, Rudyard. Born in Bombay, British India, he spent much of his formative years there and later in England. His father was an artist and principal of an art school in India. Kipling was a British national and wrote in English.

Childhood and education

Kipling's early childhood in India deeply shaped his worldview and literary output. After returning to England for his education, he attended the United Services College in Westward Ho!, Devon, which provided the setting for his novel 'Stalky & Co.'. His time there was marked by a harsh but formative experience. He received a practical education rather than a formal university degree, returning to India to begin his career in journalism.

Literary trajectory

Kipling began his literary career as a journalist in Lahore, India, in the 1880s. His early stories, often published in periodicals, showcased his keen observation of Indian life and his developing narrative skill. He gained significant fame with collections like 'Plain Tales from the Hills' and 'Soldiers Three'. His move to London in the 1890s further cemented his international reputation. He also wrote novels, essays, and songs, demonstrating a remarkable versatility.

Works, style, and literary characteristics

Kipling's major works include 'The Jungle Book' (1894), 'Kim' (1901), 'The Just So Stories' (1902), and numerous poems like 'If—' and 'The White Man's Burden'. His dominant themes often revolve around India, the British Empire, the lives of soldiers, the relationship between humans and animals, and the complexities of loyalty and duty. His style is characterized by vivid imagery, a strong narrative drive, and a colloquial yet precise use of language. He mastered various forms, from short stories and novels to ballads and epic poems. His poetic voice is often didactic, authoritative, and nationalistic. He employed powerful metaphors and rhythms, making his works highly memorable.

Cultural and historical context

Kipling was a prominent voice during the height of the British Empire, and his work is inextricably linked to the imperialist project. He lived through periods of expansion, conflict, and colonial administration, which heavily influenced his perspective. He was part of a generation of writers grappling with themes of empire, race, and cultural encounter. His strong espousal of the 'White Man's Burden' placed him at the center of contemporary debates about colonialism.

Personal life

Kipling's personal life was marked by his experiences in India and his strong sense of duty and patriotism. His marriage to Caroline Starr Balestier provided a stable partnership. He experienced personal tragedies, including the early death of his daughter Josephine, which deeply affected him and is thought to have influenced some of his later works, such as 'Kim'. He was a complex figure, deeply devoted to his family and his work.

Recognition and reception

Kipling achieved immense fame and recognition during his lifetime. He was awarded the Nobel Prize in Literature in 1907, becoming the first English-language recipient. His works were widely translated and celebrated internationally. However, his strong imperialist views also drew criticism, and his reception has been complex, with ongoing discussions about the political implications of his writings.

Influences and legacy

Kipling was influenced by his experiences in India, classical literature, and the journalistic tradition. His legacy is significant, though debated. He is credited with profoundly shaping the adventure story genre and children's literature. His influence can be seen in subsequent generations of writers who explored themes of empire, adventure, and the wilderness. His poems, particularly 'If—', remain widely quoted. His work continues to be adapted into films and other media.

Interpretation and critical analysis

Kipling's work is often analyzed through the lens of colonialism, examining his portrayal of indigenous peoples and his support for British imperial rule. Critical interpretations highlight his narrative skill and imaginative power while also scrutinizing his problematic political stances. Debates continue regarding the extent to which his stories can be separated from their imperialist context.

Curiosities and lesser-known aspects

Despite his fame, Kipling was notoriously private and sometimes irascible. He had a deep fascination with machinery and technology, which sometimes found its way into his stories. He was also known for his meticulous attention to detail in his writing. A lesser-known aspect is his significant contribution to the development of the short story form.

Death and memory

Rudyard Kipling died in London. His memory is preserved through his vast literary output, which continues to be read and studied, albeit often with critical commentary on his political views. His home, Batemans, is now a National Trust property and museum, offering insights into his life and work.