Pablo Neruda

Pablo Neruda

1904–1973 · lived 69 years CL CL

Pablo Neruda was a Chilean poet, diplomat, and politician. He is widely regarded as one of the most influential poets of the 20th century, celebrated for his lyrical and evocative verse, which often explored themes of love, nature, politics, and everyday life. Neruda's prolific output and diverse thematic concerns earned him international acclaim, culminating in the Nobel Prize in Literature in 1971. His work is characterized by its passionate imagery, sensuous language, and profound connection to the landscapes and people of Latin America.

n. 1904-07-12, Parral · m. 1973-09-23, Santiago

48,550 Views

Your Laughter

Your Laughter

Take bread away from me, if you wish,
take air away, but
do not take from me your laughter.


Do not take away the rose,
the lance flower that you pluck,
the water that suddenly
bursts forth in joy,
the sudden wave
of silver born in you.


My struggle is harsh and I come back
with eyes tired
at times from having seen
the unchanging earth,
but when your laughter enters
it rises to the sky seeking me
and it opens for me all
the doors of life.


My love, in the darkest
hour your laughter
opens, and if suddenly
you see my blood staining
the stones of the street,
laugh, because your laughter
will be for my hands
like a fresh sword.


Next to the sea in the autumn,
your laughter must raise
its foamy cascade,
and in the spring, love,
I want your laughter like
the flower I was waiting for,
the blue flower, the rose
of my echoing country.


Laugh at the night,
at the day, at the moon,
laugh at the twisted
streets of the island,
laugh at this clumsy
boy who loves you,
but when I open
my eyes and close them,
when my steps go,
when my steps return,
deny me bread, air,
light, spring,
but never your laughter
for I would die.
Read full poem
Bio

Identification and basic context

Pablo Neruda, born Ricardo Eliécer Neftalí Reyes Basoalto, was a renowned Chilean poet, diplomat, and politician. He is considered one of the most important literary figures of the 20th century and a significant voice for social justice in Latin America. Neruda's work is characterized by its passionate, often surreal imagery, its deep connection to nature, and its engagement with political and social issues. He wrote in Spanish, and his poetry has been translated into numerous languages.

Childhood and education

Neruda was born in Parral, Chile. His mother died shortly after his birth, and he was raised by his father and stepmother in Temuco. He showed an early aptitude for literature, publishing his first poems at the age of 13. He studied French at the Temuco Normal School for Men and later moved to Santiago to study at the University of Chile, although his primary focus remained his literary pursuits. His early life in the Chilean landscape, with its forests, rivers, and the proximity to the ocean, profoundly shaped his poetic sensibility.

Literary trajectory

Neruda's literary career began in his youth, and he quickly gained recognition. He published his first book, "Crepusculario" (Twilight), in 1923. However, it was "Veinte poemas de amor y una canción desesperada" (Twenty Love Poems and a Song of Despair, 1924) that brought him widespread fame. He served as a diplomat for Chile in various countries, including Burma, Ceylon, Java, Argentina, Spain, Mexico, and France. These experiences significantly influenced his writing, broadening his perspective and introducing him to new political and cultural landscapes. His poetry evolved from early romanticism and surrealism to a more politically engaged and socially conscious style.

Works, style, and literary characteristics

Neruda's vast body of work includes "Residencia en la tierra" (Residence on Earth), "Canto general" (General Song), and "Odas elementales" (Elemental Odes). His style is marked by its sensuousness, its rich metaphors, and its profound connection to the natural world. He explored themes of love, death, time, memory, political struggle, and the beauty of everyday objects and natural phenomena. His language is often direct yet deeply evocative, capable of capturing both the grand sweep of history and the intimate details of human experience. He experimented with various forms, from traditional verse to free verse, and his "Elemental Odes" are known for their concise, accessible celebration of ordinary things.

Cultural and historical context

Neruda lived through a turbulent period in Latin American history, marked by political instability, social upheaval, and the rise of authoritarian regimes. As a member of the Communist Party, his political activism led to periods of exile and persecution. His poetry often reflected these historical realities, serving as a voice for the oppressed and a testament to the struggles of the common people. He was a contemporary of other major Latin American writers and intellectuals, contributing to the vibrant literary and political discourse of the region.

Personal life

Neruda had three marriages and several significant relationships that influenced his poetry. His political activities often led to periods of separation from his loved ones. He was a dedicated communist, and his political beliefs deeply informed his life and work, leading him to serve as a senator and a presidential candidate before going into exile. He was known for his deep love of Chile, its landscapes, and its people, which he sought to express through his art and his political actions.

Recognition and reception

Neruda received numerous awards and honors throughout his career, most notably the Nobel Prize in Literature in 1971 for "his poetic works which, with the action of an elemental force, have given a continent its destiny and dreams." He is one of the most widely read poets in the world, and his work continues to resonate with readers across cultures and generations. His reception has been overwhelmingly positive, celebrating his lyrical genius and his unwavering commitment to humanity.

Influences and legacy

Neruda was influenced by poets like Walt Whitman and the European surrealists, but he forged a unique voice that became emblematic of Latin American poetry. He, in turn, influenced countless poets throughout the world with his passionate style, his commitment to social justice, and his ability to find poetry in the ordinary. His "Canto General" is considered a monumental epic of the Americas. Neruda's legacy is that of a poet who captured the soul of a continent and used his art as a powerful tool for social and political change.

Interpretation and critical analysis

Neruda's poetry is frequently analyzed for its exploration of identity, belonging, and the relationship between the individual and the collective. His surrealist leanings in earlier works are often contrasted with the direct political engagement of his later poetry. Critics have examined his role as a national poet and a voice for the marginalized, exploring the ways in which his work both reflects and shapes Latin American consciousness.

Curiosities and lesser-known aspects

Neruda was an avid collector of unusual objects, including various types of shells, ships in bottles, and typewriters, which he displayed in his homes. His houses, particularly La Chascona in Santiago, Isla Negra, and El Cañete in Buenos Aires, are now museums dedicated to his life and work. He was also known for his immense generosity and his support for other artists and writers.

Death and memory

Pablo Neruda died in 1973, shortly after the military coup in Chile that overthrew Salvador Allende's government. While officially attributed to cancer, there have been ongoing investigations and debates surrounding the possibility of foul play. His death was a profound loss for Chile and the literary world. His works continue to be widely read and celebrated, and his memory remains a potent symbol of artistic expression and political conviction in Latin America and beyond.

Poems

72

Some Beasts

Some Beasts

It was the twilight of the iguana:

From a rainbowing battlement,
a tongue like a javelin
lunging in verdure;
an ant heap treading the jungle,
monastic, on musical feet;
the guanaco, oxygen-fine
in the high places swarthed with distances,
cobbling his feet into gold;
the llama of scrupulous eye
the widens his gaze on the dews
of a delicate world.


A monkey is weaving
a thread of insatiable lusts
on the margins of morning:
he topples a pollen-fall,
startles the violet-flght
of the butterfly, wings on the Muzo.


It was the night of the alligator:
snouts moving out of the slime,
in original darkness, the pullulations,
a clatter of armour, opaque
in the sleep of the bog,
turning back to the chalk of the sources.


The jaguar touches the leaves
with his phosphorous absence,
the puma speeds to his covert
in the blaze of his hungers,
his eyeballs, a jungle of alcohol,
burn in his head.
570

Saddest Poem

Saddest Poem

I can write the saddest poem of all tonight.

Write, for instance: "The night is full of stars,
and the stars, blue, shiver in the distance."
The night wind whirls in the sky and sings.
I can write the saddest poem of all tonight.


I loved her, and sometimes she loved me too.


On nights like this, I held her in my arms.
I kissed her so many times under the infinite sky.
She loved me, sometimes I loved her.


How could I not have loved her large, still eyes?


I can write the saddest poem of all tonight.
To think I don't have her. To feel that I've lost her.
To hear the immense night, more immense without her.


And the poem falls to the soul as dew to grass.


What does it matter that my love couldn't keep her.
The night is full of stars and she is not with me.
That's all. Far away, someone sings. Far away.


My soul is lost without her.


As if to bring her near, my eyes search for her.
My heart searches for her and she is not with me.
The same night that whitens the same trees.


We, we who were, we are the same no longer.


I no longer love her, true, but how much I loved her.
My voice searched the wind to touch her ear.
Someone else's. She will be someone else's. As she once


belonged to my kisses.


Her voice, her light body. Her infinite eyes.
I no longer love her, true, but perhaps I love her.
Love is so short and oblivion so long.


Because on nights like this I held her in my arms,


my soul is lost without her.
Although this may be the last pain she causes me,
and this may be the last poem I write for her.
781

Potter

Potter


Your whole body has
a fullness or a gentleness destined for me.


When I move my hand up
I find in each place a dove
that was seeking me, as
if they had, love, made you of clay
for my own potter's hands.


Your knees, your breasts,
your waist
are missing parts of me like the hollow
of a thirsty earth
from which they broke off
a form,
and together
we are complete like a single river,
like a single grain of sand.
483

Poor Creatures

Poor Creatures

What it takes on this planet,
to make love to each other in peace.
Everyone pries under your sheets,
everyone interferes with your loving.
They say terrible things about a man and a woman,
who after much milling about,
all sorts of compunctions,
do something unique,
they both lie with each other in one bed.
I ask myself whether frogs are so furtive,
or sneeze as they please.
Whether they whisper to each other in swamps about illegitimate frogs,
or the joys of amphibious living.
I ask myself if birds single out enemy birds,
or bulls gossip with bullocks before they go out in public with cows.
Even the roads have eyes and the parks their police.
Hotels spy on their guests,
windows name names,
canons and squadrons debark on missions to liquidate love.
All those ears and those jaws working incessantly,
till a man and his girl
have to raise their climax,
full tilt,
on a bicycle.
603

Poetry

Poetry


And it was at that age ... Poetry arrived
in search of me. I don't know, I don't know where
it came from, from winter or a river.
I don't know how or when,
no they were not voices, they were not
words, nor silence,
but from a street I was summoned,
from the branches of night,
abruptly from the others,
among violent fires
or returning alone,
there I was without a face
and it touched me.


I did not know what to say, my mouth
had no way
with names,
my eyes were blind,
and something started in my soul,
fever or forgotten wings,
and I made my own way,
deciphering
that fire,
and I wrote the first faint line,
faint, without substance, pure
nonsense,
pure wisdom
of someone who knows nothing,
and suddenly I saw
the heavens
unfastened
and open,
planets,
palpitating plantations,
shadow perforated,
riddled
with arrows, fire and flowers,
the winding night, the universe.


And I, infinitesimal being,
drunk with the great starry
void,
likeness, image of
mystery,
felt myself a pure part
of the abyss,
I wheeled with the stars,
my heart broke loose on the wind.
757

Ode To Wine

Ode To Wine

Day-colored wine,
night-colored wine,
wine with purple feet
or wine with topaz blood,
wine,
starry child
of earth,
wine, smooth
as a golden sword,
soft
as lascivious velvet,
wine, spiral-seashelled
and full of wonder,
amorous,
marine;
never has one goblet contained you,
one song, one man,
you are choral, gregarious,
at the least, you must be shared.
At times
you feed on mortal
memories;
your wave carries us
from tomb to tomb,
stonecutter of icy sepulchers,
and we weep
transitory tears;
your
glorious
spring dress
is different,
blood rises through the shoots,
wind incites the day,
nothing is left
of your immutable soul.
Wine
stirs the spring, happiness
bursts through the earth like a plant,
walls crumble,
and rocky cliffs,
chasms close,
as song is born.
A jug of wine, and thou beside me
in the wilderness,
sang the ancient poet.
Let the wine pitcher
add to the kiss of love its own.


My darling, suddenly
the line of your hip
becomes the brimming curve
of the wine goblet,



your breast is the grape cluster,
your nipples are the grapes,
the gleam of spirits lights your hair,
and your navel is a chaste seal
stamped on the vessel of your belly,
your love an inexhaustible
cascade of wine,
light that illuminates my senses,
the earthly splendor of life.


But you are more than love,
the fiery kiss,
the heat of fire,
more than the wine of life;
you are
the community of man,
translucency,
chorus of discipline,
abundance of flowers.
I like on the table,
when we're speaking,
the light of a bottle
of intelligent wine.
Drink it,
and remember in every
drop of gold,
in every topaz glass,
in every purple ladle,
that autumn labored
to fill the vessel with wine;
and in the ritual of his office,
let the simple man remember
to think of the soil and of his duty,
to propagate the canticle of the wine.
623

Ode to the Book

Ode to the Book

When I close a book
I open life.
I hear
faltering cries
among harbours.
Copper ignots
slide down sand-pits
to Tocopilla.
Night time.
Among the islands
our ocean
throbs with fish,
touches the feet, the thighs,
the chalk ribs
of my country.
The whole of night
clings to its shores, by dawn
it wakes up singing
as if it had excited a guitar.

The ocean's surge is calling.
The wind
calls me
and Rodriguez calls,
and Jose Antonio--
I got a telegram
from the "Mine" Union
and the one I love
(whose name I won't let out)
expects me in Bucalemu.

No book has been able
to wrap me in paper,
to fill me up
with typography,
with heavenly imprints
or was ever able
to bind my eyes,
I come out of books to people orchards
with the hoarse family of my song,
to work the burning metals
or to eat smoked beef
by mountain firesides.
I love adventurous
books,
books of forest or snow,
depth or sky
but hate
the spider book
in which thought
has laid poisonous wires
to trap the juvenile


and circling fly.
Book, let me go.
I won't go clothed
in volumes,
I don't come out
of collected works,
my poems
have not eaten poems-they
devour
exciting happenings,
feed on rough weather,
and dig their food
out of earth and men.
I'm on my way
with dust in my shoes
free of mythology:
send books back to their shelves,
I'm going down into the streets.
I learned about life
from life itself,
love I learned in a single kiss
and could teach no one anything
except that I have lived
with something in common among men,
when fighting with them,
when saying all their say in my song.
691

Ode to Salt

Ode to Salt

This salt
in the salt cellar
I once saw in the salt mines.
I know
you won't
believe me
but
it sings
salt sings, the skin
of the salt mines
sings
with a mouth smothered
by the earth.
I shivered in those
solitudes
when I heard
the voice
of
the salt
in the desert.
Near Antofagasta
the nitrous
pampa
resounds:
a
broken
voice,
a mournful
song.

In its caves
the salt moans, mountain
of buried light,
translucent cathedral,
crystal of the sea, oblivion
of the waves.
And then on every table
in the world,
salt,
we see your piquant
powder
sprinkling
vital light
upon
our food.
Preserver
of the ancient
holds of ships,
discoverer
on
the high seas,
earliest


sailor
of the unknown, shifting
byways of the foam.
Dust of the sea, in you
the tongue receives a kiss
from ocean night:
taste imparts to every seasoned
dish your ocean essence;
the smallest,
miniature
wave from the saltcellar
reveals to us
more than domestic whiteness;
in it, we taste finitude.
683

Ode to Clothes

Ode to Clothes

Every morning you wait,
clothes, over a chair,
to fill yourself with
my vanity, my love,
my hope, my body.
Barely
risen from sleep,
I relinquish the water,
enter your sleeves,
my legs look for
the hollows of your legs,
and so embraced
by your indefatigable faithfulness
I rise, to tread the grass,
enter poetry,
consider through the windows,
the things,
the men, the women,
the deeds and the fights
go on forming me,
go on making me face things
working my hands,
opening my eyes,
using my mouth,
and so,
clothes,
I too go forming you,
extending your elbows,
snapping your threads,
and so your life expands
in the image of my life.
In the wind
you billow and snap
as if you were my soul,
at bad times
you cling
to my bones,
vacant, for the night,
darkness, sleep
populate with their phantoms
your wings and mine.
I wonder
if one day
a bullet
from the enemy
will leave you stained with my blood
and then
you will die with me
or one day
not quite
so dramatic
but simple,



you will fall ill,
clothes,
with me,
grow old
with me, with my body
and joined
we will enter
the earth.
Because of this
each day
I greet you
with reverence and then
you embrace me and I forget you,
because we are one
and we will go on
facing the wind, in the night,
the streets or the fight,
a single body,
one day, one day, some day, still.
653

Ode to My Socks

Ode to My Socks

Mara Mori brought me
a pair of socks
which she knitted herself
with her sheepherder's hands,
two socks as soft as rabbits.
I slipped my feet into them
as if they were two cases
knitted with threads of twilight and goatskin,
Violent socks,
my feet were two fish made of wool,
two long sharks
sea blue, shot through
by one golden thread,
two immense blackbirds,
two cannons,
my feet were honored in this way
by these heavenly socks.
They were so handsome for the first time
my feet seemed to me unacceptable
like two decrepit firemen,
firemen unworthy of that woven fire,
of those glowing socks.


Nevertheless, I resisted the sharp temptation
to save them somewhere as schoolboys
keep fireflies,
as learned men collect
sacred texts,
I resisted the mad impulse to put them
in a golden cage and each day give them
birdseed and pieces of pink melon.
Like explorers in the jungle
who hand over the very rare green deer
to the spit and eat it with remorse,
I stretched out my feet and pulled on
the magnificent socks and then my shoes.


The moral of my ode is this:
beauty is twice beauty
and what is good is doubly good
when it is a matter of two socks
made of wool in winter.
636

Quotes

18

Videos

50

Comments (0)

Share
Log in to post a comment.

No comments yet. Be the first to comment.